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Sunday, June 9, 2024 at 11AM

Tickets starting at $60.

This performance will take place on The Plaza.

With great sadness, we share that Antonio Lysy, our friend, colleague, long-time collaborator, and curator of the Sunday Morning Music/Santa Monica series, has passed away.  

The Sunday Morning Music/Santa Monica series was crafted and curated with such care and passion by Antonio, and in only two short years, it became one of our biggest success stories in Chamber Music. The series will continue in celebration of his passion for music, and for bringing our community together. 

In light of this news and Antonio’s anticipated performance in the June concert, ticket sales are temporarily paused. We will get back to you as soon as we can with an update on a new program; one fit to celebrate the life of a brilliant virtuoso, true humanitarian, and a dear friend.

When we announce the new program you will have the option to keep your tickets, exchange them for another show, or donate the value to BroadStage.

Antonio Lysy, was an artist of international stature and a dedicated pedagogue, performed as a soloist in major concert halls worldwide. He appeared with such orchestras as the Royal Philharmonic and Philharmonia Orchestras of London, Camerata Academica of Salzburg, Zurich Tonhalle, the Zagreb Soloists, Orchestra di Padova e il Veneto, Israel Sinfonietta, the Montreal Symphony Orchestra, the Toronto Symphony Orchestra, Les Violions du Roi, and several other orchestras around the world. He collaborated with distinguished conductors including Yuri Temirkanov, Charles Dutoit, Sir Yehudi Menuhin, Sandor Vegh, and Kees Bakels, and performed regularly both as a solo, and chamber music artist. 

Lysy enjoyed exploring the versatility of the cello’s voice, from Baroque to electric, and was committed to projects which enriched his diverse interests in music:

The touring show he co-produced and directed, Te Amo, Argentina, premiered at BroadStage— a personal journey through the heart and soul of Argentina’s fascinating culture, featuring solo cello and chamber works, dance, film, and spoken word, met with widespread acclaim. Te Amo, Argentina is based on Lysy’s Latin Grammy award-winning CD on the Yarlung Records label - Antonio Lysy at the Broad - Music From Argentina, featuring the works of Piazzolla, Golijov, Ginastera, Bragato, and Schifrin. A review on Musicangle.com declared it “among the most beautiful recordings of cello and piano you are likely ever to hear”, and Absolute Sound recognized it as one of the 40 best recordings of all time.

Other highlights of his work include a multi-faceted recital, broadcast on live radio, celebrating Bach and the cello through performances on baroque, acoustic, and electric cellos at the Los Angeles County Museum of the Arts ; He produced and presented a multimedia concert with pianist and actor Jean Marchand, showcasing the history of his Carlo Tononi cello on its the 300th birthday; Most recently he performed and recorded the cycle of Bach Suites for solo cello, on a mid-summer’s evening, within the acoustically resonant T.E.U.C.L.A. sculpture by Richard Serra. This endeavor was born from an invitation three seasons ago to perform the same cycle at BroadStage. The sold-out performance included an ornamentation of the stage with stunning projections, inviting the audience to a new “delight of spirit” through the art of digital photography. Following that success he was asked to return to the Broad Stage for a performance of the cycle of Beethoven sonatas, with the pianist Tom Beghin. Beghin played on two fortepianos from Beethoven's time, for a journey through Beethoven's life, covering all three of the composer's major creative periods.

Antonio Lysy recorded extensively for CBC Radio, BBC Radio, Classic FM, and other European radio networks. His live recording of solo cello repertoire by Bach, Berio, Henze, and Walton, released on the Pelléas label, is "...some of the most beautiful Bach ever heard" (La Presse, Montréal). In addition, he recorded for the Claves, Dinemec Classics, and Fonè labels. In January 2012, he recorded and premiered the reworked Eric Zeisl cello concerto with the UCLA Philharmonia directed by Neal Stulberg. This cd, highly praised by Donald Rosenberg on Gramophone, is also available on the Yarlung Records label.

Yarlung Records and Antonio partnered soon after in a unique recording of South American-connected compositions and arrangements. Titled South America, the nine compositions honor Astor Piazzolla, Heitor Villa-Lobos, Carlos Gardel, Antonio's violinist father Alberto Lysy (with whom he recorded the Kodaly Duo in 2001), and Argentine bandoneon master Coco Trivisonno. Several works were recorded with ingenuous multi-tracking which, thanks to all-analog Sonorus Holographic Imaging technology, Antonio played all the parts! For both Villa-Lobos' arrangement of Bach's Prelude and Casals' Les Rois Mages, Mr. Lysy created a virtual cello orchestra of 16–28 cellos playing 4–7 parts.

Antonio’s love and commitment to chamber music was demonstrated by his musical directorship and founding in 1989, of the annual Incontri in Terra di Siena Chamber Music Festival in Tuscany, Italy (www.itslafoce.org). Distinguished artists from around the globe took part in this idyllic summer retreat, which was crowned by performances in medieval fortresses, palazzi, and churches in the Southern Tuscan region. The series celebrated its 30th anniversary in the summer of 2018. Antonio invited his friend and colleague, the greatly admired italian pianist, Alessio Bax, to collaborate closely with him and act as Artistic Director for an undetermined term.

In 2003 Antonio accepted the position of Professor of Cello at University of California, Los Angeles. Prior to moving to the United States, he held a professorship at McGill University in Montréal. He was also, for a number of years, visiting professor at the International Menuhin Music Academy in Switzerland. Mr. Lysy appeared regularly on prominent online platforms in ‘cello chats’, blogs and interviews, and shared his passion for teaching at international festivals in the summer such as the Heifetz International Music Institute in Virginia, NUME in Cortona, Italy, and the Toronto Summer Music Festival in Canada.

Performance Sponsor:

Presented with support from Audre Slater Foundation.