GRAMMYⓇ-winning pianist/composer Hiromi brings her trademark hair-raising energy and virtuosic technique back to Los Angeles. One of today’s most popular jazz musicians, Hiromi performs compositions from her latest album, Silver Lining Suite and is joined by an extraordinary string quartet. Together they form The Piano Quintet, “a vessel that propels Hiromi’s piano heroics into the stratosphere” (WBGO.org).
Born in Hamamatsu, Shizuoka, Japan on March 26, 1979, Hiromi’s piano lessons started when she was six, and she performed her first recital at that age. Her first teacher, Noriko Hikida, encouraged her to access both the intuitive and technical aspects of music. Hikida also exposed Hiromi to jazz and introduced her to the great pianists Erroll Garner and Oscar Peterson. She enrolled in the Yamaha School of Music at age six and started to write music at that time.
Hiromi moved to the United States in 1999, and she matriculated at the Berklee College of Music in Boston, which extended her artistic sensibilities. Among her mentors at Berklee was the veteran jazz bassist/arranger Richard Evans, who teaches arranging and orchestration. It was Evans who took Hiromi’s demo tape to his friend and collaborator: the legendary pianist/bandleader Ahmad Jamal. “[Professor Evans] really liked how I played,” Hiromi fondly recalled. “And Ahmad loved the demo – I couldn’t believe it! He’s been very encouraging and supportive. He’s an amazing human being.”
Evans co-produced her debut CD, Another Mind, with Jamal, who has also taken a personal interest in Hiromi’s artistic development. “She is nothing short of amazing,” says Jamal. “Her music, together with her overwhelming charm and spirit, causes her to soar to unimaginable musical heights.” Another Mind was a critical success in North America and in her native Japan, where the album shipped gold (100,000 units) and received the Recording Industry Association of Japan’s (RIAJ) Jazz Album of the Year Award. Hiromi’s astonishing debut was but a forecast of the shape of jazz to come.
Her second release, Brain, won the Horizon Award at the 2004 Surround Music Awards, Swing Journal’s New Star Award, Jazz Life’s Gold Album, HMV Japan’s Best Japanese Jazz Album and the Japan Music Pen Club’s Japanese Artist Award (the JMPC is a classical/jazz journalists club). Brain was also named Album of the Year in Swing Journal’s 2005 Readers Poll. In 2006, Hiromi won Best Jazz Act at the Boston Music Awards and the Guinness Jazz Festival’s Rising Star Award. She also claimed Jazzman of the Year, Pianist of the Year and Album of the Year in Swing Journal’s Readers Poll for her 2006 release, Spiral.Hiromi’s winning streak continued with the release of Time Control in 2007 and Beyond Standard in 2008. Both releases featured Sonicbloom: her hand-picked group that included guitarist Dave “Fuze” Fiuczynski, bassist Tony Grey and drummer Martin Valihora.
Hiromi achieved a number of milestones in 2009. She recorded with pianist Chick Corea – who she met in Japan when she was seventeen on Duet, a two-disc live recording of their transcendent, transgenerational and transcultural duo concert in Tokyo. She also appeared on bassist Stanley Clarke’s Heads Up International release, Jazz in the Garden, which also featured former Chick Corea bandmate, drummer Lenny White.
In June of that same year, Hiromi simultaneously released two concert DVDs, both recorded in Tokyo: Hiromi Live in Concert (recorded in December 2005) and Hiromi’s Sonicbloom Live in Concert (recorded in December 2007). The former features the rhythm section of Grey and Valihora, while the latter includes Fiuczynski’s incendiary fretwork.
In 2010, Hiromi released Place to Be, an impressive and intimate solo piano CD; her evocative aural travelogue of the many places and spaces she visited around the world. “I wanted to record the sound of my twenties for archival purposes,” she says. “I felt like the people whom I met on the road during my twenties really helped me develop and mature as a musician and as a person. So in addition to making a record that represented all of these places that have inspired my music, I also wanted it to be a thank-you to those people.”
She followed up Place to Be with a DVD, Hiromi Solo Live at Blue Note New York. Recorded on August 20 and 21, 2010, at the Blue Note in New York City, the video includes 11 originals and a special bonus feature with interview clips and performance footage from some of Hiromi’s favorite cities around the world.
On her 2011 album, Voice, Hiromi’s goal was to capture people’s “inner voices” to create what she called a “three-dimensional sound.” On that album, she assembled a trio that included herself and two veteran players: contrabass guitarist Anthony Jackson and drummer Simon Phillips. Also in 2011, The Stanley Clarke Band CD, featuring Hiromi, won the GRAMMY® Award for Best Contemporary Jazz Album.
While on the road, Hiromi started writing music for the follow-up CD, Move, released in 2013. “Because I had been playing with Anthony and Simon for quite a bit, I just started to understand their characteristics, and I could find a hidden gem in their playing,” she explains. “There’s so much more to their playing. As a composer, I really wanted to write the songs especially for them, and I wanted to extract the unique beauty of their playing.” Move, like Voice, had an overriding theme, which Hiromi describes as “time in one day.” “You wake up and go to work and then hang out,” she says. “The album is like a soundtrack for a day.” That same year, she had several impressive placements in DownBeat magazine’s 61st Annual International Critics Poll, in the Jazz Artist, Piano, Keyboard and Rising Star: Piano categories. In 2013, she performed at George Wein’s Newport Jazz Festival and also performed there for the festival’s sixtieth anniversary in 2014.
Alive, released in 2014, heralded the return of The Trio Project, featuring Jackson and Phillips. DownBeat magazine proclaimed the terrific triad as “one of the most exciting groups working in any genre today.” On Alive, Phillips’ powerful, yet poetic percussion and Jackson’s flowing, glow-in-the-dark basslines beautifully buoy and support Hiromi’s ingenious and impassioned improvisations. Her evocative and expansive compositions evoke the myriad moods and mysteries of life and reveal the soulful, syncopated simpatico of her thrilling threesome.
Her latest album, Silver Lining Suite and is joined by an extraordinary string quartet. Together they form The Piano Quintet, “a vessel that propels Hiromi’s piano heroics into the stratosphere” (WBGO.org).